Shinya Ishida, John Knuth, Mette Vangsgaard, Anna Bak
May 24 – June 29, 2019
‘Come, let us build ourselves a city, and a tower whose top is in the heavens; let us make a name for ourselves, lest we be scattered abroad’
(Nimrod; in. Genesis 11:4)
Imagine a unique metropolis surrounded by triple ring walls with the impressive Ishtar Gate and inside the city’s glorious tower, the massive pyramid-like ziggurat and the Marduk temple, covered with lapis lazuli and adorned with large bronze horns radiating in the sun. These magnificent buildings were the pride of the Babylonians, but also the source of the myth of human pride and fall, as the impressive and powerful walled city enhanced the prestige, and revealed the human vanity-motivated conquest for power and glory. This is why God intervened according to the legend and confused the languages, which caused the construction process of the Tower of Babel to cease. The myth of Babylon has travelled for millennia and symbolized man’s arrogance and fall, debauchery and disobedience to God’s will. It is such an indelible symbol that we have almost forgotten that Babylon was an actual metropolis; a political and cultural centre of power, and is not least one of the seven wonders of Antiquity.