Manuel Ocampo’s imagery often fuses sacred Baroque religious iconography with secular political narrative. His works draw upon a wide range of art historical references, contain cartoonish elements, and draw inspiration from punk subculture.
In his new series Contemporary Psychology and The Theoretical Steroid Defiled Modernist Chicken , Ocampo demonstrates his remarkable ability to combine a painterly wildness juxtaposed with the allegorical and illustrative. Through this he creates an interesting and broad spectrum in both his own practice and more generally in drawn art today.
Born in 1965 in the Philippines, Manuel Ocampo moved to Los Angeles in the 1980’s, where he studied at the California State University. Since his controversial statement for the IX. Documenta in 1992, where one of his paintings featured swasticas, he has largely been known for his powerful symbolism, communicating a conflict of culture and political overlords, throughout history.
His works have been shown at a wide range of galleries, museums and biennales all over the world including the legendary exhibition Helter Skelter at MOCA in Los Angeles, and at the Venice Biennale in 2001. His works are also featured in large permanent collections at the Whitney Museum in New York, Fonds National d’Art Contemporain, Paris, Fukuoka Asian Art Museum, Japan and MOCA, Los Angeles.